How To Create Your Own Youtube Channel

If you’re creating an account for your business or organization, upload a company logo or product photo, as opposed to a personal photo or headshot. 6. Once you establish your Google account, click on the “Back to YouTube” button. 7. Within a few minutes, you’ll receive two emails from Google. One will ask you to verify your current email address.
If you like to browse through the original, head off to here:How to Create Your Own YouTube Channel

Why Twitter Is A Huge Threat To YouTube

Like I said, my whole world just changed right there and then. Daley said he opted to use YouTube as his forum because he wanted his words to come out clearly. Daleys father died of cancer in 2010. He says in the clip that he feels hed have his dads support, since his father always said, as long as you are happy, Im happy. Though he knows his revelation wont be celebrated by all, including some people in his family, Daley said hes the same person as before. Im still Tom. I still want to win an Olympic gold medal in Rio 2016 for Great Britain.
For the original publication including any specific supplementary images and online video media, have a look at:Teenage British diving star Tom Daley comes out in YouTube video – http://ftw.usatoday.com/2013/12/tom-daley-gay-youtube-british-diver/

Teenage British diving star Tom Daley comes out in YouTube video

Face of a winner: The 10 best facial expressions of MLS MVP Mike Magee

Mandela’s death produced more than 3 million tweets in the first two hours after news outlets around the globe reported that the former South African president had died, according to measurement firm Topsy. Google searches for news about Mandela spiked by 400%, as word spread of Mandela’s death at age 95, according to the site’s trend data.
For full document, proceed to here:Nelson Mandela draws tributes on YouTube, Twitter – http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-nelson-mandela-draws-tributes-on-youtube-twitter-20131205,0,3390005.story

Nelson Mandela draws tributes on YouTube, Twitter

Actors who have portrayed Nelson Mandela on screen

YouTube comedy channel Dead Parrot is back with its third installment in the glorious web series “YouTube Comment Reconstruction,” this time featuring a re-enactment of users discussing the ethereal song An Ending (Ascent) by Brian Eno. The short black-and-white film opens on seasoned British actors Grahame Edwards and Eryl Lloyd Parry, both dressed to the nines and sitting at an elegant table.
For whole posting, proceed to here:If ONLY YouTube Commenters Could Be This Classy

Why Full Albums Need to Go from YouTube Right Away

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Athletes, celebrities, and news anchors all ask you to follow them on Twitter, not on YouTube. (You can follow them on Facebook too, of course, but the minimalist nature of Twitter seems to make it a less risky place for sharing.) If you’re a fan of Kay Perry or CNBC’s Melissa Lee, it’s a lot easier to wait for them to tweet stuff at you than to follow them anywhere else YouTube or CNBC where you’d have to repeatedly check for new postings. Currently, YouTube is benefiting from this arrangement, because media people host their videos on YouTube and then tweet the link on Twitter. The two brands are symbiotic.
For any pictures, videos, as well as complete posting, move here:http://finance.yahoo.com/news/why-twitter-huge-threat-youtube-140941396.html

If ONLY YouTube Commenters Could Be This Classy

YouTube is now on the verge of launching a subscription product and this will hopefully go some way of addressing the fact it has made the marketing journey the consumption destination. But the music industry should keep its aspirations in check, not just about the potential impact of the service, but also and perhaps most importantly because of YouTubes intent. Google is a rights frenemy. Rights frenemies strike a careful balance between maintaining good relations with rights holders on one side of their business but testing the limits on the other side. They pursue a do first, ask forgiveness later strategy. Thus all the while Google is launching two music subscription services (Google Play Music All Access and the forthcoming YouTube offering) it is also lobbying for copyright reform and posting a link to chillingeffects.org for every successful copyright takedown. In other words Google talks the talk but only reluctantly so and it does the absolute minimum of walking the walk. Nowhere is this approach more apparent in YouTube and the presence of user uploaded full albums. A coherent argument can be made that 383 million views of Miley Cyruss Wrecking Ball Vevo video delivered clear benefits to the artist and her team (both though direct Vevo advertising and the vast exposure). Full length albums ripped into YouTube by users have no such benefit. In fact labels in the main do what they can to remove them using YouTubes takedown process. If Google was arights allyrather than arights frenemyit wouldnt solely wait to be told to take stuff down, at least for the really obvious and high profile stuff, but it doesnt. Take a look at these top search results for Adele, U2, the Red Hot Chili Peppers and the Beatles (see figure 1). The full album results are high lighted in red, many of which have hundreds of thousands of views each, in the case of Adeles 21 it is more than 1 million, and some have been live for more than a year. In the case of the Beatles all of the top results are full albums. I doubt that the Beatles spent the best part of a decade not licensing to iTunes in order to suddenly throw it all straight up on YouTube. There are also endless ripped live DVDs and recorded TV broadcasts of live concerts (see figure 2).
If you need to browse through the original, head here::
http://musicindustryblog.wordpress.com/2013/12/06/why-full-albums-need-to-go-from-youtube-right-away/

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